The Crystal Skulls by themselves are a mystery. The more opportunities
I have to see new (ancient) crystal skulls and have my own experiences
plus watch how they affect others, is a lifetime job. I do not believe
that anyone has a definitive answer about how the Crystal Skulls work
or produce their strange phenomena around them.
Recently, in March (1996), I was contact by J. W. Voakes in the Seattle
area, who was trying to explain to me on the phone some process he had
discovered which produced geometric patterns from various ancient
artifacts, possibly some type of codes secretly imbeded on some level
that his process is able to bring forth. At this junction, I have
just seen pictures he used with an ancient Egyptian Artifact and
"MAX", the Texas Crystal Skull. J.W. has tried to get other people
interested but no one wants to pay him any attention. So, to offer
some other insights about the crystal skulls, we offer here five
images J.W. worked on with "MAX" and we wait to see his results with
pictures of the "Mitchell-Hedges" Crystal Skull and "ET".
First, I tried to get J. W. to better explain his process .....
|What is 4th Dimensional Imaging?
Date: Wed, 6 Mar 1996 01:12:41 -0500
Subject: Kaleidoscope of the Gods
Glad you liked my work! Here, is as brief a synopsis as I can give, is the
info you requested...
The images are decoded using a process I call "4th Dimensional Mirror
Imaging." The process is quite simple, actually. First, I have a
image/picture in my computer. Using a graphics program (such as PC Paint,
Corel Paint, etc.) I simply decide what section of the image I want to
decode. I mask off the area I selected, cut and copy it to the clipboard. I
then erase the entire original image, and paste the masked section back on
the screen. I then paste another copy of the masked image onto the screen,
flip it horizontally and connect the two halves. Viola! An image appears.
This process is similar to the one used by Hoagland's team on the Mars face
(they found one side contained a hominiod visiage, the other side a very
feline image) and by Maurice Cotterell on the Lid of Pacal (he used acetate
overlays, but acheived the same basic results.)
Currently, I am decoding images I have tracked down on the 'Net...but I've
just purchased a scanner, so I will have the capability of scanning in actual
photographs of the artifacts.
Max, for instance, was decoded using a scan of an image that JoAnn (Parks) has for
sale. All of the images that were paper-clipped to my letter were decoded
What, exactly, are we seeing? My theory is that the ancients used these
artifacts as a type of memory bank, and encoded these images 4th
dimensionally so that we could only access them when we were ready. Perhaps
they sensed an upcoming cataclysm and wanted to leave a visual record of
their existance? That's what my heart tells me. anyways. I also feel very
strongly that, hidden in these artifacts, we can find visual representation
of every form of life in the universe...again, just what I feel, no facts to
back it up (yet).
I also think that the levels in the images...and it seems that each image is
made up of several levels or layers...signify something. As to what, I'm not
sure...but I think that is another part of the equation that needs to be
Bottom line ... these images are not designed by me, and they are not naturally
occuring. They were implanted/imprinted into these crystal artifacts by an
extremely advanced lifeform that we have yet to identify. I think that the
Kaleidoscope of the Gods is the next step in the identification process.
They have now allowed us to see their "faces"...now we must look past the
face and into the soul of the amazing beings who left this behind for us to
The images are real...they are important...and they cry out for
BTW, the names I give the images just come to me immediatley after decoding
them. I don't puzzle over what to call them, I just know..
And...while my name is John, my friends call me JW ;-)
Hope to talk to you soon...
Date: Wed, 6 Mar 1996 16:19:17 -0500
Subject: Re: Kaleidoscope of the Gods
I'm glad you understood the decoding process I use...it's rather amazing that
so simple a procedure nets the results it does. I think, with the
Kaleidoscope, we are being taught to see things from a different perspective,
a different dimension.
MAX was the source for all of the images I sent you, except for the ones in
the booklet. I hope to be revising the booklet soon, and will include some
of my recent work with MAX when I do so.
As a suggestion...perhaps on the WEB page, you could point out the idea that
our civilization has reached the point of technological expertise and
advancement that allows us to decode these images? I think it is significant
that only now we have reached a level of advancement that SOMEONE had many
ages ago...kind of blows the theory of evolution (as is currently held) right
out of the water!
Talk to you soon,
Date: Thu, 7 Mar 1996 04:10:49 -0500
Subject: Re: Kaleidoscope of the Gods
Interesting idea, being able so somehow decode the images from the source
artifact as opposed to using photos...
Been thinking about that. Would be problematic, for several reasons. First,
the images I decode are magnified (from about 1/4" sq. to what you see on the
page). Secondly, since I choose the area which to decode, you would have to
somehow (using mirrors?) be able to isolate certain areas of the artifacts to
do the decoding. Finally, you would need a light-source (but that isn't
difficult, I've seen pictures of the skulls on lighted bases).
So...it may be possible to do. Wouldn't it be interesting to work out a way
to decode an artifact live?!? THAT would be something to see! I think it
could work, but it would take very precise engineering skills...and knowledge
of reflection/refraction as well.
I'll keep brainstorming on it...where there's a will...(G)
Talk to you soon...
|4th Dimensional Images from
The Texas Crystal Skull
Cathedral of the Soul
Mysteries from MAX
Share Feedback, Contact J.W.?
If you see something interesting in the images presented above or
would like to either help J.W. with this research or find out
more (he does sell these images in a simply bound format), please
click on the email link shown below: